Logic pro x hardware synth free
The basic free version is quite powerful on its own and has all the functionality of paid versions, which include additional presets, wavetables, samples, and LFO patterns. The download and install of this beauty seemed unusually fast and I was up and running in less than a few minutes.
I was immediately impressed after choosing a random preset to give it a spin. A thick, lush sound erupted and the intuitive interface invited experimentation with a robust collection of effects, modulators, and oscillation choices.
The aesthetics of the GUI are particularly elegant for a free instrument, and the layout and clearly labeled parameters make this a very attractive and user-friendly instrument. It downloads as a plugin and standalone app compatible on all major platforms including Linux and also supports MPE.
This is a feature-rich synth that is almost too good to be free! I just recently downloaded my new favorite free synth — Surge! This is a full-featured hybrid instrument that has 3 oscillators plus octave variations , wavetables, customizable FM and dual filter routing, several LFOs and modulation envelopes, a full-blown FX section, key and channel split capability and an impressive array of presets by the developers and 3rd party contributors.
The instrument is supported by volunteers and is completely open-source. But things worked flawlessly in Ableton as a vst3 and this thing sounds stunning! This incredible freeware bundle from the great modular synth developer, Noise Engineering, includes two synths and Ruina, a great distortion plugin as well.
All of these beauties have stunning graphics and sweet interfaces rarely seen in free plugins. Sinc Vereor is a kind of software version of their Sinc Iter hardware module and uses wavemorphing and wave folding. It includes an onboard multimode filter, chorus, up to 16 voice polyphony, standard envelope controls and you can even load Scala files for microtonal tuning.
Virt Vereor is an algorithmic wave generator and additive synth with similar layout and controls. Both of these synths sound immediately amazing and scrolling through the presets demonstrate their sonic capabilities. Add to this the cleverly named distortion plugin, Ruina, and the fact that all three are free and you get something that seems almost too good to be true.
While these instruments may not be the best things in life — they are free. And it has been my experience that there is something to be learned from every piece of software, as there is from all types of music. Experimentation and exploration yield untold rewards for the adventurous, and freeware is a great place to start your journey or a means to unshackle yourself, at least temporarily, from the financial constraints that plague us all.
Check out my other articles, reviews, interviews and my video tutorial series, Synthesis available exclusively on The Pro Audio Files. Follow me on Twitter: PMantione Instagram: philipmantione. Free stuff is not al Play Video. Create professional spatial audio mixes using enhanced surround plug-ins that add depth and movement to your tracks.
Create amazing sounds using authentic re-creations of vintage equipment, powerful modern synthesizers, and complex multisampled instruments. The new single-window design makes it easier to create and edit sampler instruments while remaining backward compatible with all EXS24 files. An expanded synthesis section with sound-shaping controls brings more depth and dynamics to your instruments — it features twin filters with parallel and serial routings, and five filters modeled after both analog and modern synths.
An extendable modulation section allows you to add more sources and destinations as needed. And the reimagined mapping editor adds powerful, time-saving features that speed the creation of complex instruments — including editing commands for automatic mapping, automatic loop finding, and analyzing and splitting samples into zones.
And save hours of tedious editing with new drag-and-drop hot zones. Quick Sampler is a fast and easy way to work with a single sample. Or record audio directly into Quick Sampler using a turntable, microphone, musical instrument, or even channel strips playing in Logic Pro.
In a few steps, you can transform an individual sample into a fully playable instrument. With Flex Time, you can keep your sample playing at the same speed no matter which notes you play. And with Slice Mode, you can split a single sample into multiple slices — perfect for chopping up vocals or breaking up and resequencing drum loops. Adjust loop start, end, and crossfade right on the waveform with easy-to-use markers.
Use the auto-loop command to quickly create seamlessly looped samples. Slice drum loops and vocal phrases into a bank of samples, then play them from any keyboard or drum pad. Record a sample using an external source like a mic or instrument. Auto Sampler lets you save hours by easily creating fully playable sampler instruments from hardware instruments, other software instruments, and effect plug-ins. This powerful but easy-to-use plug-in creates synthesized drum sounds. Choose from a diverse collection of drum models and shape their sound with up to eight simple controls.
Drum Synth is also directly integrated into the bottom of the Drum Machine Designer interface — giving you a focused set of sound-shaping controls. Redesigned to be more intuitive and integrated, Drum Machine Designer lets you effortlessly build electronic drum kits.
Apply individual effects and plug-ins on each discrete drum pad to experiment with sound design and beat-making in new ways. Each pad normally plays a single note, but if you open the track stack and select any subtrack, you can play all of the pitches of a single sound to create bass lines or melodic parts. You can also create a unique layered sound by assigning the same trigger note to two different pads.
Open Drum Kit Designer and select a kit. You can swap pieces to build a custom kit, choosing from a diverse variety of snares, kicks, toms, hi-hats, and cymbals. Finesse the sound of each drum by adjusting the tuning, dampening, and gain.
And enable stereo or mono room and overhead mics. Each kit comes with its own unique mix designed by an industry hitmaker. Choose a more elaborate Producer Kit and it loads with a Patch that gives you access to the full multichannel mix, along with all the processing and routing the producer used. Once you see how the pros get their signature sounds, you can go with their techniques — or tweak away.
Watch the drum kit designer demo. Alchemy, the ultimate sample-manipulation synthesizer, is the most powerful instrument in Logic Pro. Powerful Performance Controls invite you to explore and play with the sounds you choose.
Alchemy is a monster of a synth with multiple sound-generating engines, including additive, spectral, formant, granular, and virtual analog. Groundbreaking morphing and resynthesis features let you manipulate and combine samples in extraordinary ways. And the vast number of filters, modulation routes, arpeggiation options, and effects makes for limitless possibilities.
Short Plucky Synth uses the Transform Pad to instantly jump or slowly morph between variations of the original sound. Luscious Arp Layers uses multiple arpeggiators on different virtual analog sources within a single instrument to produce complex musical patterns. This clip features Brassy Jazz Ensemble, a stack of additive synth brass mixed with sampled analog synth strings. Multiple arpeggiators drive a variety of sample sounds and synthesis techniques, including virtual analog and additive, via modulation.
These two realistic plug-in instruments feature sophisticated articulation controls. They allow for the nuanced gestures a human performer would make when playing solo or ensemble string and brass instruments.
A versatile synthesizer that delivers sounds ranging from classic analog to modern digital. The synthesis engine features three analog-modeled and wavetable oscillators, as well as dual multimode analog resonant filters and extensive modulation options. Go for analog tones like earthshaking bass, textures, screaming leads, sweeping pads, and sawtooth waves. Or use distinctive digital sounds like bells, plucky bass, and brash leads. Play authentically re-created models of the Hammond B3 organ, the Mellotron, the Hohner Clavinet D6, and the Fender Rhodes, Wurlitzer, and Hohner electric pianos — with all the character and quirks of the originals.
The Arpeggiator transforms simple chords into elaborate performances. Go with professionally designed presets, or shape the evolving performance by adjusting the rate, note order, and octave range of the notes. And add swing to help the Arpeggiator groove with the feel of your song.
Scale velocity, generate a rapid-fire series of notes, transpose incoming notes or conform them to a scale, and more. Watch the arpeggiator demo. Sculpture is a unique physical modeling instrument that produces tones no other synthesizer can. By re-creating the sound of vibrating materials like wood, glass, nylon, or metal, it generates uncommon and creative variations of strings, bells, chimes, and other instruments.
You can change the virtual body of the instrument to everything from guitar to cello, flute, and more. Control how the instrument is plucked, bowed, or otherwise played. A deep set of modulation parameters produce movement and evolving textures. Use plug-ins to help you perfect or manipulate the color and personality of your tracks.
Bring DJ-style effects and transitions to your tracks with a collection of stutters, echoes, filters, vinyl scratches and stops, reverse playback sounds, bit crushes, and gating effects.
When you connect Logic Remote, you can use the power of Multi-Touch to manipulate up to seven effects at once. ChromaVerb is a high-end reverb plug-in that uses unique modeling to reproduce both natural and otherworldly acoustic spaces.
It features 14 different models with tempo-synced parameters, up to seconds of decay, and a colorful visual spectrum that provides meaningful feedback so you can see how reverb complements your tracks. The Vintage EQ collection brings authentic re-creations of three of the most revered analog hardware EQs, with support for mono and stereo and control over analog saturation and heat.
Add rhythmic movement to any track by arranging filters, effects, and independent step sequencers to create and control a wide range of treatments over time. Individual effects and processing plug-ins can then be added to your new audio tracks after recording in the usual way.
That’s all easy enough, but some years ago, back when Logic users had to make frequent visits to the Environment pages just to make things work, I set up all my external MIDI instruments as multitimbral Environment objects. This allowed me to enter patch names and bank-change protocols so that I could call up patches and banks directly from within Logic’s Main page Inspector window. I could also use MIDI mixer controls to adjust the level and pan of each part of my multitimbral instruments, with the audio from the synth conveniently coming back into Logic via a Live Input Track.
This way of working was so intuitive and efficient that I decided to see how close to that setup I could get starting from scratch In Logic Pro X. Of course, if, like me, you created a setup like this in an earlier version of Logic, it will still open and be converted to Logic X format. Having done all the hard work, make sure you save your setup as part of a new Template so that you don’t have to keep reinventing the wheel, so to speak.
In fact that is exactly what I’ve done for my own sessions, but in the interests of science, here’s one way to set up a similar system from scratch. I’m not claiming it is the only way to do it, or even the officially approved way, but it works for me. Here you just need to set the output to and the input to the interface inputs to which your synths are connected , in this case. Set the Track Input to also. This is the track where your synth sounds will come back and also where you can record them as audio.
Once recorded, I just drag them across to a fresh audio track. If you need to deactivate a channel in a multitimbral Environment instrument, just select the relevant block in the graphic and then untick the ‘Assignable’ box in the Environment Inspector. By default, all 16 parts are switched off, denoted by a diagonal line through each numbered block. Just click on a block to activate that part.
Note that if you need to switch blocks off again, just select them and then untick the ‘Assignable’ box in the Environment Inspector window. Your part instrument defaults to being named after the port to which it is connected, but you can give it a more useful name. Click on the name and the Inspector opens up. Here you can change the MIDI port, if necessary, and also tick the Program and Volume boxes to allow control over these parameters.
Premium Mix Training. Toggle navigation. It includes an onboard multimode filter, chorus, up to 16 voice polyphony, standard envelope controls and you can even load Scala files for microtonal tuning.